5/11/2023 0 Comments Paranormal hkThe classic is also one of the pioneers within its genre and was an inspiration for the Hong Kong vampire films in the 1980s. Director Lau Kar-leung's "The Shadow Boxing" not only showed local vampire folklore intelligently but fused it with kung fu, comedy and rich performances with comic appeal, making the film one of Lau's representative works. The Xiangxi folk legend of "corpse driving" has frequently been highlighted in Hong Kong cinema. In her two roles, Nam Hung provides a charming contrast while Connie Chan cross-dresses to portray a passionate but ultimately weak scholar. Directed by Wong Hok-sing, "Love in the Red Chamber" is a posthumous work by the famous librettist Tong Tik-sang with beautiful and refined dialogue and lyrics. Adapted from the French novel "The Phantom of the Opera", director Yuan Qiufeng's "Mid-Nightmare" offers a "huangmei diao" opera flavour in its play-within-a-play sequence and the setting of a teahouse theatre to show the local Cantonese culture as well as present a brilliant performance from Betty Loh Ti. The chairman of the Cantonese Cinema Study Association, Mr Shu Kei, will host a post-screening talk on November 21. His frequent use of long, empty shots and crisp editing give this horror film a traditional poetic charm with a strong folk flavour. What makes Zhu's film stand out is its successful blending of sound and image to create an atmosphere that is both horrifying and folkloric. Famed director Zhu Shilin tried his hand at making a horror film in "The Living Corpse", in which a drug trafficking operation disguised as "corpse driving" and a Taoist priest's sanctimonious and mystifying behaviour are exposed as hoaxes. Despite the influence of popular vampire films from the West, Hong Kong vampire films were able to sustain a unique character by integrating folk tales, comedy and even martial arts into the vampire genre, igniting a new trend of vampire movies all over Asia in the 1980s. In the 1960s, Hong Kong cinema blended with other art forms like Cantonese opera to create a unique type of reincarnation film. A consistent motif in Hong Kong horror films is the presence of monstrous creatures, with the popular vampire haunting the silver screen in various forms since the 1930s. All seven films will be screened at the HKFA while "Mr Vampire" and "Rouge" will also be screened at Broadway Cinematheque. Vampire" (1985), which inspired a fad of vampire movies, and "Rouge" (1988), starring Leslie Cheung and Anita Mui. The HKFA's popular "100 Must-see Hong Kong Movies" series in November will also screen "Mr. The films to be screened include director Zhu Shilin's "The Living Corpse" (1958) "Mid-Nightmare" (1962), starring Betty Loh Ti and Chao Lei "Love in the Red Chamber" (1968), featuring repertoire of the Sin Fung Ming Opera Troupe and starring Connie Chan and Nam Hung Lau Kar-leung's classic work "The Shadow Boxing" (1979) and Sammo Hung's slapstick comedy "The Dead and the Deadly" (1982). The new programme, guest-curated by film scholar Wei Ping, will be held from November 3 to 28. To coincide with Lingnan University and the Chinese University of Hong Kong's upcoming "The Ghost Cultural Festival" symposium, the Hong Kong Film Archive (HKFA) will present "Haunted Screen: Hong Kong Ghost Films", with classic horror films from the 1950s to the 1980s to reflect Hong Kong's history and the evolution of its culture. Horror films with monstrous creatures, vampire movies infused with kung fu and comedy, reincarnation stories in Cantonese opera and tales of glamorous phantoms have all played important roles in Hong Kong's cinematic history, yet the horror genre has never been seriously analysed by scholars and industry professionals. "Haunted Screen: Hong Kong Ghost Films" to reflect Hong Kong's history and the paranormal (with photos)
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